Opal H. Bennett Named Co-Producer
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Review: Crip Camp: A Disability
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GSFF review: Consumed (2020)
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Review: Swamp (2020)
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Review: Courage (2021)
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Opal H. Bennett Named Co-Producer at American Documentary | POV
Award-Winning Producer of POV Shorts Moves to Expanded RoleOpal H. BennettAmerican Documentary (AmDoc) the parent organization of the PBS documentary series POV, ...
Review: Crip Camp: A Disability Revolution (2020)
Credit: Steve Honigsbaum/NetflixMost people nowadays see hippies as relicts of the past, a heterogeneous group of idealistic people that experimented with some ...
GSFF review: Consumed (2020)
Scottish Competition 1: House of MirrorsCourtesy of GSFFConsumed is a debut short by Karen Lamond based on Sian Hughes' short story Can ...
Review: Swamp (2020)
Courtesy of Kino Pavasaris It does not have to be a rape, harassment is enough for a woman to feel horrible. And ...
Review: Courage (2021)
Maryna Yakubovich in 'Courage' by Aliaksei Paluyan. ©Thereis no much difference between the personal, the artistic and thepolitical courage since all three ...
Review: Courage (2021)
Courage is a foreboding film, especially at the very ending; an excerpt from the re-staged play Discover Love thematizes the events from the late 90s, when a businessman and an opposition leader where kidnapped and executed by the OMON.
‘My Uncle Tudor’, Berlinale review: The illusion of Consent
From the start, Tudor is depicted with a sense of estrangement: through the veil, out of focus, partly hidden behind another person.
Review: Young Hearts (2021)
One thing is certain: no one in their right mind would ever want to go back to their teen years and live through them again.
Review: One Thousand and One Attempts to Be an Ocean (2021)
Wang’s directing, essentially composed of editing short clips together in the rhythmical fashion, is apt for a piece of video-art
Review: Crip Camp: A Disability Revolution (2020)
The difference between Crip Camp and a regular inspirational documentary is the lack of manipulation and pulling the heart-strings in an obvious, almost exploitative fashion.
Review: Courage (2021)
Courage is a foreboding film, especially at the very ending; an excerpt from the re-staged play Discover Love thematizes the events from the late 90s, when a businessman and an opposition leader where kidnapped and executed by the OMON.
SXSW 2021: When Claude Got Shot
Gun crime and its consequences are the subject of When Claude Got Shot, a brilliantly wide-ranging and nuanced examination of a topic that all too often lives in black and white simplicities.
SXSW 2021: United States Vs Reality Winner (2021)
Using tapes of the FBIs initial conversation with Winner as well as access to her family and experts in the field, Kennebeck’s film is a forcefully constructed argument and a reclaiming of a character from the public space.
